AMBIENTUM BIOETHICA BIOLOGIA CHEMIA DIGITALIA DRAMATICA EDUCATIO ARTIS GYMNAST. ENGINEERING EPHEMERIDES EUROPAEA GEOGRAPHIA GEOLOGIA HISTORIA HISTORIA ARTIUM INFORMATICA IURISPRUDENTIA MATHEMATICA MUSICA NEGOTIA OECONOMICA PHILOLOGIA PHILOSOPHIA PHYSICA POLITICA PSYCHOLOGIA-PAEDAGOGIA SOCIOLOGIA THEOLOGIA CATHOLICA THEOLOGIA CATHOLICA LATIN THEOLOGIA GR.-CATH. VARAD THEOLOGIA ORTHODOXA THEOLOGIA REF. TRANSYLVAN
The STUDIA UNIVERSITATIS BABEŞ-BOLYAI issue article summary
The summary of the selected article appears at the bottom of the page. In order to get back to the contents of the issue this article belongs to you have to access the link from the title. In order to see all the articles of the archive which have as author/co-author one of the authors mentioned below, you have to access the link from the author's name.
Authors: OLEG GARAZ.
Published Online: 2023-08-15
Published Print: 2023-09-30
pp. 413-421
VIEW PDF
FULL PDF
Abstract It was only after I read the entire volume did I understand that the title Image and Meaning, which the author gives to his book, should also be accompanied by a subtitle – The Book of Revealed Mysteries. For me, this is the only way such a title can be deciphered. And understanding requires analogies. As many. At first, the thought took me to The Hero with a Thousand Faces, the famous writing of Joseph Campbell, because there it is also about the images and mean¬ings of a single reference, albeit a mythological and archetypal one. I wouldn’t have ruled out One Thousand and One Nights either, where Scheherazade acts narratively on Padishah Shahriar’s imagination, converting him to empathic humanity. Exactly as Rimsky-Korsakov presents the two in the first part of the famous symphonic suite. In a second sequence, I thought that in the case of music, the phrase image and meaning get a relevant analogy in the binomial form and content and further – structure and expression. I also assumed that it was about the images and meanings of the music, not even the same, from the consciousness of the receiving audience. How else? But no. It was about much more. The seed of the future revelation was planted for me from the very first pages when I understood that in the same way that when listening to a symphony orchestra, I hear three „choirs” accompanied by percussion, so also when, for example, I listen to a symphony, I perceive the synchronous interference of several kinds of music. A „choir” in several voices, in several images, synchronously broadcasting several meanings of the same musical material.
